Head of a Young Man Later Roman Portrait - 1043 Words

Standing at a small, but significant ten inches, this sculpture is reminiscent of the late Roman portraiture style, but delving into the symbolic expression of the early Byzantine provincial portraiture period. This portrait is from the fifth century, estimated sometime from 400-420 AD. Originally from Syria, Asia by an unknown artist, it currently is held at the Minneapolis Institute of Arts and credited to The Putnam Dana McMillan Fund. The elements within this portrait all are noteworthy in the sculpture contributing toward the creation of this artwork. This piece with will be analyzed first from a general overview and then the features moving from the top then moving to the base of the portrait. Due to the Head of a Young Man not being on display, this analysis will be solely from a picture. The portrait is made of sandstone and like its namesake is the golden tan color of sand. There are damaged, fractured and scraped areas on the surface of the front facing sculpture. There is a gradient of tones within this hue. The style is very smooth and idealized unlike the realist Roman verism. The simplified features are large and emphasized on the face. The features are very soft looking due to the smooth curves of the face. The individual elements of the portrait are all very soft curved as well as deep defining shadowed areas of the face. The top of this sculpture is clearly the hair of the portrait. The head is rounded due to the volume of the hair. The hair is thickerShow MoreRelated Greek And Roman Art Essay1875 Words   |  8 Pagesconsisted of three distinct parts: theatron (viewing place) for spectators, orchestra (dancing place) where the chorus and actors performed; and a later addition, a skene (scene building), which provided a scenic backingquot; (Butler 30). nbsp;nbsp;nbsp;nbsp;nbsp;The theatron was the place where the audience sat. 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